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Krokus: “Original Album Classics” Collection Review

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Krokus: “Original Album Classics” Collection Evaluate
Up to date on December 11, 2017 Keith Abt moreI’ve been an obsessed onerous rock/heavy metal fan and CD collector since the early 1980s. If it is got a superb guitar riff and perspective, I’m in.

Contact Author Krokus will be subsequent 12 months’s Def Leppard.
Garment-Dyed Membrana Collarless Jacket In Dark Blue— Krokus supervisor Butch Stone to Circus Magazine, September 1983 KROKUS – Original Album Classics three-CD set (Sony/Legacy/Arista, 2012)
Swiss rockers KROKUS never fairly lived up to that quite grandiose managerial prediction shown above, but they managed to carve out a pretty decent career for themselves throughout the massive ’80s steel increase. American audiences in all probability remember them greatest for 1983’s Headhunter album – a derivative-but-fun slab of early ’80s metal which included the enduring radio staple “Screaming in the Night time.” Krokus was thought-about a “new” act at that time, but Headhunter was truly their seventh (!) launch – which meant the band already had a fairly deep catalog of pre-Headhunter albums waiting for curious followers to unearth them.

Founded as a progressive rock act in Switzerland in 1975, Krokus’ first two records – 1976’s self titled debut and 1977’s To You All – barely made a splash, even in their homeland. A stylistic change in direction of AC/DC styled arduous rock on 1978’s mostly ignored Pain Killer album (aka Pay It In Metallic) did little to reverse the band’s waning fortunes. It wasn’t till Marc Storace – a singer initially from the tiny Mediterranean island nation of Malta, who’d been kicking across the European rock scene since the late ’60s – joined the fold in time for 1980’s Steel Rendez-vous that things began falling into place for Krokus. Storace’s distinctively gritty and powerful vocal fashion – a blend of Bon Scott’s pub-rock swagger and Robert Plant’s enviornment-rattling wail – fit the band’s sound like a glove. The rest, as they are saying, is history.

I was a informal Krokus fan during their brief early ’80s heyday but they hadn’t been on my radar for a long time — until I just lately scored a bargain-priced CD of their biggest hits, which renewed my interest within the band. Seeking to re-purchase a few of their albums that I owned in my youth, I got here across a cool Krokus box set that was released in 2012 as a part of Sony/Legacy’s Authentic Album Classics reissue sequence. The field features Marc Storace’s first three albums with the band – 1980’s Metal Rendez-vous, 1981’s Hardware and 1982’s One Vice At A Time – every in neat little cardboard slipcovers meant to imitate the appearance of the unique vinyl LPs. The set was an absolute steal for ten bucks so I snapped it up and I have been going down Steel Memory Lane with the trio of CDs all week lengthy.

“Metal Rendez-vous” (1980)
I’ve owned Steel Rendez-vous on vinyl for the reason that mid 1980s but since I no longer have a turntable to play LPs on, I hadn’t heard it in canine years. Subsequently, revisiting this album after more than two a long time was like getting a letter from an outdated pal. Steel Rendez-vous is about as subtle because the automobile collision on its front cowl, kicking off nicely with the uptempo “Heat Strokes” before sliding into second gear with “Bedside Radio” and the heavy-duty “Shy Child.” “Tokyo Nights” is a mid-tempo observe that begs the viewers to sing alongside, virtually like an early blueprint of “Screaming in the Evening.” “Again Seat Rock N Roll” brings things to a satisfyingly pummeling close.

Comparisons to AC/DC are unavoidable when listening to Steel Rendez-vous (and indeed, most of the band’s catalog) as a result of Storace’s Bon Scott-esque vocals and Krokus’ propensity for using groan-worthy sexual double-entendres and puns of their lyrics and track titles, just like their Aussie heroes. What Krokus might lack in subtlety, they greater than make up for by way of catchiness and sheer quantity!

“Heatstrokes” (1980)
“Hardware” (1981)
My brother owned Hardware on cassette again within the day and it was a frequent participant again then, however I’ve never owned a copy myself, due to this fact I hadn’t heard it in a minimum of a quarter century. The rumbling “Celebration” gets issues off to a moody begin before kicking into “Simple Rocker,” which salutes the band’s followers clad in leather-based jackets, covered with patches of “these heavy bands.” A very nasty groupie is immortalized in “Smelly Nellie,” and it doesn’t take a lot imagination to figure out what the charming “Mr. 69” is about. Contemporary audiences will likely be shocked at a line in album-closer “Mad Racket” by which Storace barks a couple of rival, “He is a transvestite — he is a fag!” (I don’t suppose he’s talking about a cigarette…) Of the three albums included in this set, Hardware was my least favourite, in spite of some first rate tracks. It just would not have the hearth of the opposite two albums that bookend it. .

“Rock City” (1981)
“One Vice at a Time” (1982)
One Vice at a Time was released in 1982 – a year previous to Krokus’ “breakthrough” success with Headhunter – and was presumably their hardest-rocking (and likewise most derivative) album to this point. It kicks off with one in every of Krokus’ greatest-identified pre-Headhunter songs – the oh-so-delicate “Lengthy Stick Goes Growth” (hint: it isn’t a few stick of dynamite…), which rips off AC/DC even more blatantly than standard. (Which is really sayin’ something!). Krokus continues to mine The Thunder From Down Beneath for inspiration for the remainder of the album, particularly on tracks like “Unhealthy Boys, Rag Dolls” and “Down the Drain.” Severely people, they owe Angus and Malcolm Younger some royalties for this one! Despite its close to-whole lack of originality One Vice is still a enjoyable listen, especially when it is cranked up to appropriately obnoxious quantity levels.

“Long Stick Goes Boom” (1982)
So whatever occurred to Krokus anyway
After the platinum success of the Headhunter album, Krokus’ fortunes took a fairly swift downward turn. The band stone island vs cp company made the poor decision to abandon their headbanging, pedal-to-the-steel strategy on observe up albums like 1984’s The Blitz and 1985’s Change of Handle, favoring a slicker pop-metal sound aimed toward American rock radio and MTV. The metallic fraternity stated “no thanks” to their new path, labeling Krokus promote-outs and bandwagon-jumpers. Storace left the band after 1988’s barely-seen Heart Attack and Krokus cut up up after one album with a new singer (1990’s Stampede).

Storace returned to the fold a few years later for 1995’s successful To Rock Or To not Be reunion album, and the band has been energetic ever since – even when membership has been one thing of a revolving door from album to album. Krokus’ most current CD, Soiled Dynamite, was released in 2013 they usually stay a popular draw on the live performance circuit, especially in Europe.

I hope I’ve piqued your curiosity in this underrated band. If you are occupied with checking their material out for yourself, this Authentic Album Classics three-CD set could be a wonderful place to start out your journey. Now, all I have to do is choose up Headhunter on CD and I am all set…

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sendingAuthorKeith Abt 2 years in the past from The Backyard State

Hi Leo – thanks for stopping by. Will try “Dynamite,” you possibly can never have too many AC/DC ripoffs, haha

Leo 2 years ago
I discovered your site at the moment through Steve Hoffman and really enjoyed it. I also have the Krokus trinity (with 4) and hadn’t heard them in more than 20 years. The time has come. Cheers from Brazil

One other AC/DC’s Bon Scott era rip-off is Dynamite – v=UJ-uQQw04CY
AuthorKeith Abt 2 years ago from The Garden State

Cool, Fox – hope you dig these Krokus records. Rock on!
Fox Music 2 years ago

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