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Stone Island: How The Brand Has Advanced – Woodhouse Clothes

Stone Island’s model ethos has been set in stone for the reason that 1980s, however the label’s dedication to analysis means that their collection is all the time contemporary and thrilling. With a dedicated international following and a again catalogue of forty,000 distinctive garments, Stone Island is in a league of its own.

When CEO, Carlo Rivetti, was asked why Stone Island’s model has remained so strong he mentioned:
“Stone Island has all the time remained true to itself, without concessions. And so we have now been capable of rejuvenate our target market of shoppers; we reach out each to our historical prospects, those who’ve faithfully stayed with us for thirty years, but in addition to the youthful crowd, to the new generations of at this time.”

While different manufacturers have branched out to incorporate different types or expanded into unrelated markets, Stone Island has remained targeted, with simply the label’s continuing analysis into fabrics and dyes pushing the model forward.

Stone Island Culture
Ice Jacket Wool Blend in Thermo-delicate Fabric

When you look back on the last thirty years, the model began with jackets made from thick truck tarpaulin and continued to create heat-delicate fabrics and Kevlar designs. It could be hard to predict what comes next and that’s what makes the brand so thrilling to comply with.

The energy of the Stone Island, alongside the undeniable type of their clothing, has created a cult following – together with celebrities similar to Noel Gallagher, Peter Hook and Chris Lowe. The brand has also been related to soccer fans – and sometimes soccer hooliganism – but the label has been quick to dissociate itself from the latter.

Inside Stone Island
As CEO Carlo Rivetti gives fans a video tour round Stone Island HQ, he describes his dyeing facility as a ‘kitchen’. Jackets are ‘cooked’ in 90 – 140 levels and ‘recipes’ are adopted to create every shade of color.

However, to most people, Stone Island’s dyeing facility seems to be extra like a chemistry lab. With row upon row of bottles, there’s a splash of nearly every color conceivable, and with impressive equipment and weighty files of formulas, the ‘Colour Lab’ is evidently a place for experimentation.

And with so many colours packed into one room, Carlo Rivetti even claims it’s the closest factor to a renaissance painter’s workshop within the 21st century.

Texture and colour are the start line for every jacket. From there, the designers experiment to create a design that works. Some of their dyeing methods may cause up to 50% shrinkage, so getting the design proper is a complicated process.

Every garment is made from a selection of different fabrics, all of which react to dyeing in a unique manner – both in how they absorb colour or shrink during the process. Every jacket is sort of a journey of scientific discovery – and with their archive of 20,000 garments on site, you can walk by way of the historical past of their experimentation.

Over Thirty Years of Design
1982

In 1982, Stone Island was launched by Massimo Osti, with their Tela Stella vary. The brand’s title got here from the pages of Joseph Conrad’s novels – amidst hundreds of words, ‘stone’ and ‘island’ were the mostly occurring, and so the brand was born.

The primary collection was the results of research right into a thick truck tarpaulin, which was resin-treated to be pink on one aspect and blue on the opposite.

1983 – 1986
Carlo Rivetti joined Stone Island in 1983, already an enthusiastic fan of the brand. By 1984, the collection had advanced to incorporate jumpers, trousers, t-shirts and shirts.

It was also in 1984 that a second signature Stone Island fabric was introduced, Raso Gommato – a cotton satin of navy origin, with polyurethane coating.

1987 – 1988
Through research into heat-sealed PVC, Stone Island developed Glazed Silk Gentle, which is shiny trilobite nylon coated in PVC. The impact was a thick and glazed look.

1989 – 1991
In 1989, Stone Island launched the ground-breaking Ice Jacket. With the development of a heat-sensitive fabric, Stone Island created a jacket which changed color with the temperature.

From yellow to blue and from green to white, the Ice Jacket was a truly futuristic concept. Stone Island developed the design further to create patterned jackets which misplaced their pattern within the cold, turning into icy white with freezing temperatures.
1992

Next, Stone Island developed a extremely reflective Japanese fabric, which achieved its luminescent glow through a coating of hundreds of micro glass spheres. Impressed by work security jackets, this collection was extremely eye-catching and was even able to reflect mild from very weak sources.

1993 – 1996
This was a time of nice change for Stone Island – Massimo Osti left the label and in his place, Englishman, Paul Harvey, joined the workforce and pushed the analysis forward.

With an injection of latest ideas, the next few years noticed an enormous number of modern fabrics entering the color Lab. The primary was Components Steel, a nylon canvas bonded to a polyurethane movie.

Extensive analysis also created Oltre, a fantastic nylon fabric with an extremely-shiny coating.
1997 – 1998

The analysis continued at a relentless tempo, and in 1997, Stone Island designers applied a Reverse Colour Process method on the Raso Gommato fabric. First printed in black, the fabric then light using a corrosion approach to be later over-dyed.

Nylana, a thick nylon canvas used to line tanks, additionally grew to become a part of the collection throughout these years.

1999 – 2001
At the flip of the millennium, the Stone Island design group have been incredibly busy. Launching a huge quantity of latest fabrics and designs in just two years, together with the Pure Metallic Shell Silver and Pure Metallic Shell Bronze (as proven above). These parkas have been created with either one hundred% stainless steel or a hundred% bronze metallic mesh, bonded to fabric.

Stone Island’s designers next moved onto a cloth which is 5 instances stronger than the identical weight in steel: Kevlar. As pictured above, Stone Island found a technique to dye this seemingly unattainable material via including a nylon mesh and a polyurethane coating.

Initially designed for use on aeroplane circuit boards, Stone Island began to use silver spray on their collection of high quality polyester jackets, adding a vacuum seal of a hundred% stainless seal.

The brand also launched their Ventile vary, using a military textile which was 100% cotton and developed for British fighter pilot’s overalls in the Second World Conflict.

2002
In 2002, the vary continued to expand, with jackets engineered to look flat with a series of folds and seams adding element.

Another success story from this 12 months was the sunshine Jacket. Continued analysis perfected the design – a white jacket with fibre optic mesh inserts that gentle up with blue mild.

The design workforce also experimented with various layers of meshes, which revealed the interior development of the jacket.

2003 – 2005
Stone Island perfected their Compact Procedure to create extraordinarily dense supplies, that are boiled at 130 levels and then shrink by as much as 50%.

Mussoal Gommata was additionally launched, developed by laminating ultra-gentle cotton muslin to a matte polyurethane film.

2006 – 2007
The David TC Fabric was launched, consisting of polyester, polyamide and Japanese microfiber, which was then dyed beneath strain at 130 levels.

Creating their portfolio of reflective jackets, Stone Island designed the Antiquated Reflective.
2008

Paul Harvey left Stone Island in 2008 and Carlo Rivetti stepped into his footwear as Artistic Director. And in the same 12 months, the brand’s affiliation with Aitor Throup was formed, creating the Stone Island Shadow Assortment.

2009 – 2011
Developing on their previous heat-reactive Ice Jacket, Stone Island created a camouflage jacket which loses its pattern within the cold.

The workforce also developed a brand new textile: Waxed Ice, which was cotton moleskin containing thermo-delicate quartz and graphite.

2012 – 2013
For the S/S season in 2012, Stone Island launched the Prismatic Muslin, a light-weight cotton muslin, which was handled with colored resins earlier than the fabric was laminated to provide a prism-impact polyurethane film. The fabric can then be double-dyed to create a variety of vibrant colours.

Subsequent, Stone Island created the Hydrophobic Remedy, a process which creates a garment that’s extremely water-repellent and environmentally friendly.

2012 marked the 30th anniversary of the model and celebrated with STONEISLAND30, a serious exhibition at Stazione Leopolda in Florence. Alongside the exhibition, three symbolic garments had been created to mirror the historical past of Stone Island, including a re-edition of Tela Stella.
2014

Thirty years’ of analysis and 40,000 garments later, their current A/W assortment reflects this wealthy history of design. Browse the Stone Island A/W rangeand to see what the brand has to supply this year.

Garment Dyed Crinkle Reps NY
What’s next for the Model

With a continuing drive in direction of creating new colours stone island t shirt large and supplies, Stone Island is a model all the time capable of shock. When asked what the long run holds, Carlo Rivetti said:

Ribbed Neck Stone Island Sweater Men Dark Blue With Colorful Embellishment“We get impressed by people, architecture and design. At present we’re presently learning some supplies used in the automotive industry. Through the Olympics, the outfits the athletes wear are very technical, which can also be inspirational.

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