Blue Ocean Film Festival Makes Waves In Monaco, As Cop21 Approaches
It doesn’t drive voter turnout, as a lot as sizzling button, easily gamed issues like illegal immigration and taxes do.
Nonetheless, within environmentalist circles, marine safety is that stepchild. Although forty eight% of human-produced carbon dioxide ends up within the ocean, inflicting Ph levels to drop and deadly acidification to rise, most environmental activism centers on terrestrial degradation. You possibly can current marine protection as Chilean Sea Bass, but most politicians and activists still view it as Patagonian toothfish.
The just-concluded Blue Ocean Festival and Conservation Summit aims to right that imbalance. Blue gives a uncommon likelihood to see a variety of lengthy and short movies solely targeted on marine protection.
Moreover, at Blue, one will get to talk with the partaking marine photographers, scientists, entrepreneurs, venture capitalists and philanthropists (typically multi functional individual) working to place ocean preservation on the forefront of environmental protection, especially because the 2015 United Nations Climate Change Convention (COP21) approaches subsequent month in Paris.
There’s logic in Blue’s method. Because the deep oceans are largely out of sight and out of mind for many of our species, a super manner to raise consciousness of their exotic magnificence and imperiled state is thru movie. The challenge going through a festival of this kind is in making a program varied and compelling enough that it does not end up as one lengthy episode of The Blue Planet, minus the BBC’s manufacturing values.
Launched in Monterey, California in 2009 by the St. Petersburg, Florida — by means of West Virginia — couple of Debbie and Charles Kinder, Blue is on its method to getting the combination proper. This previous week’s festival in Monaco (the 2017 festival will even play in the principality) highlighted stellar examples of the marine documentary form.
For instance, Florian Fischer’s and Michael Kugler’s 7-minute narrative quick Shark and Lion artfully showcases the menace posed by the invasive lionfish.
Documentary options like Angel Azul (which chronicles the work of eco-sculptor Jason DeCaires Taylor)
and doc shorts like Silke de Vos’ Coral Gardening (which follows Anuar Abdullah, founder of Ocean Quest Malaysia)
profile cheap stone island jeans the frontline victims of world warming, runoff, and extreme human interaction: the fragile indicator creature generally known as coral.
Coral reefs are house to 25% of the world’s marine fish species, and comprise almost all the nation of Kiribati, whose President, Anote Tong, spoke movingly at Blue
about plans to uproot his people to Fiji, until $2 billion cheap stone island jeans is raised to show Kiribati (endangered by rising seas and coral destruction) into a Waterworld-like floating island.
In keeping with the World Wildlife Fund, 27% of the world’s coral reefs have already been misplaced. If current trends persist, 60% of the world’s coral reefs will be lost within the following 30 years.
A couple of movies at Blue would possibly strike some as preachy and pedantic. Others might use extra editing. As a producer and director of three documentaries (Crotty’s Youngsters, Grasp Debaters, Apryl Miller: Color and Soul), I’ve learned that the money quote of Shakespeare’s Polonius – “brevity is the soul of wit” – is all too pertinent to the often prolix and humorless documentary form.
Nevertheless, as cartoonist Jim Toomey — creator of the ocean-themed caricature Sherman’s Lagoon
and director of the Blue-nominated brief Two Miles Deep — informed me over steak frites throughout from the Monaco carnival (the place, true to my invasive species, I later charged into the funhouse, in full Brooks Brothers go well with, with a multinational gaggle of political science students from close by Undergraduate College of Menton), “You will probably see higher manufacturing values in anything shown on Animal Planet. That’s because the focus is leisure. The movies at Blue” — chosen as they are by an eight-person jury of environmentalists, scientists, and filmmakers — “go deeper.”
True ‘dat, as the short doc, The edge, a few photographer who films sharks at night, poetically makes clear.
But there’s one thing deeply private that goes on as well. Watching wave after wave of trustworthy, straightforward depictions of intensely variegated ocean life starts to affect how one views all species. I literally underwent a sea change of the guts, as I saw how even essentially the most repulsive or violent or odd-wanting organism had its place within the better ocean scheme. One cannot assist but increase one’s acceptance of radical diversity in humans after viewing such epic and interconnected range in nature.
This openhearted spirit was completely modeled by the Kinders and their nimble worldwide team (which features a former undercover high quality assurance marketing consultant for Starwood Resorts & Resorts). Furthermore, they instinctively demonstrated the hallmarks of a great festival outlined in my two previous columns on the Santa Barbara and Palm Springs film festivals respectively.
First, Blue is now at least partially positioned in a locale, Monaco, which is fulsomely committed to accountable tourism and historically aligned with the festival’s ocean mandate. Beneath the smart, stalwart leadership of His Serene Excellency Prince Albert II (himself an avid explorer, who’s been to the north and south poles, and who courageously lead the charge to limit the fishing and sale of the endangered Mediterranean bluefin tuna),
Monaco has been on the forefront of ocean safety for well over 100 years. Prince Albert II took the ocean protection helm from his great-great-grandfather and explorer, Prince Albert I, who based Monaco’s breathtaking Baroque Revival Oceanographic Museum (where Blue is held).
Secondly, Blue is conscious of the necessity for extraordinary customer service, going to extra pains to ensure that friends are graciously served at a number of factors of contact. That is vital because the prospect of visiting upscale, out-of-the-approach Monaco can seem daunting to many potential attendees.
I witnessed few missteps both on the festival or in getting there. My moderately priced Swiss Air flight from Los Angeles to Zurich and on to close by Nice (and via Heli Air to Monaco), was straightforward and quick. As well as, the on-board amenities – a Swiss-themed comfort package, exemplary headphones, fantastic delicacies (from a novel Swiss canton each three months), and a big seat (with constructed-in massager) that reclined into a full bed — have been the very best I’ve had in any airplane class.
The only weakness — a Swiss Air steward assured me that is being remedied — was the lack of Web and dwell satellite tv for pc Tv. Nonetheless, I loved the reprieve from being totally related.
Moreover, in the extraordinarily secure, ultra clean (you allegedly need a bachelor’s degree to even work as a Monaco street cleaner) confines of the world’s second-smallest nation, one feels faraway from wider world considerations. I call it the Monaco bubble.
That does not imply one is denied the esoteric indulgences of residence. For instance, The Resort Metropole (Monaco’s solely independently-owned “palace” property) presents a vegetarian, gluten-free eight-course “food and life” tasting menu, courtesy of culinary auteur Joel Robuchon. While I selected not to affix my fellow Russian and English plutocrats at the Metropole, my perfectly suitable Novotel room came with a full ocean view and sizzling every day breakfast, at a value comparable to a mid-vary Manhattan hotel.
Monaco’s walkable size makes getting from any resort to Blue a veritable sea breeze. Although the constitutional monarchy has instituted several types of green transport, I encourage attendees to stroll to and from the festival so as to take in the insanely stunning grandeur that leads as much as and across the towering Oceanographic Museum. The highlights embrace two gardens, a hidden seashore accessible by a series of elegant stone steps (placing Malibu’s Matador Seaside steps to disgrace), and spectacular ocean views like few others on the Riviera. Oh, and for these not bothered by such things, an aquarium that is considered among the finest on the earth.
I typically suggest that boutique festivals keep all venues inside walking distance. By centralizing programming in the Oceanographic Museum (whose former director was – from 1959-1988 – none aside from Jacque-Yves Cousteau), and by protecting the festival small and intimate, Blue makes it straightforward to fulfill the Who’s Who of Marine Protection.
Pioneers like Cristina Mittermeier (Sea Legacy), Dieter Paulmann (Okeanos),
the inimitable Carl Gustaf Lundin (IUCN), Sylvia Earle (Mission Blue), Anisa Kamadoli Costa (Tiffany & Co Foundation), Torsten Thiele (International Ocean Trust) and Louie Psihoyos (indomitable, if righteously vegan, director of the preeminent environmental movie of our time Racing Extinction, which debuts on Discovery just as COP21 begins)
are making blue the brand new green in more ways than one.
These connections may be later deepened over wonderful amaretto (go ask Alice)
at the Resort Hermitage’s lovely Crystal Bar or at sundry different posh redoubts in one of many world’s most visually spectacular festival backdrops.
Luxurious and social good could be paired like the perfect Monegasque meals and wine, if a festival has the fitting angle. Taking a cue from Monaco’s humble, selfless, and much-beloved Prince, and with sponsorship from the likes of Rolex and Tiffany (which not makes use of coral in its jewelry), Blue is on its method to getting that pairing right.
In the subsequent few years, as Blue strives to draw extra of the city-state’s 328,000 annual tourists, as well as its affluent locals (for whom the Grand Prix and Yacht Present remain the big draws), and finds ways to host screenings and events in and round Monaco’s evocative ocean milieu, whereas guaranteeing that festival restaurants serve sustainably raised seafood, it could simply turn into the leading nature-based mostly film festival on planet earth.
– James Marshall Crotty
Should you wish to re-publish this story, or deploy Mr. Crotty as a speaker, author or moderator, please contact him at www.jamescrotty.com.
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